"Post-rock electronics alongside a distinctive pop setting, Across Phoenix forges a sensitive and thoughtful atmosphere with “We Are Echos.” They draw from a wide range of influences, too, running the gamut from the glitch effects of Oval to the unparalleled optimism of DNTEL. An intersecting series of layers results in this neo-psychedelic approach. Best of all are the vocals that rest right in the very center of the entire thing. Verses go for a toss-off, easy-going method that suggests Sam Prekop’s laid-back attitude.
Melodies too feature a jazz meets electronic cadence, think Four Tet’s most giddy earlier works. A living, breathing entity, the song ebbs and flows, embodying the grace that the natural world so easily provides. Even with its clear electronic origins, Across Phoenix balances both the organic and the digital, finding a sweet spot between the two extremes."
Beach Sloth, tumblr
‘“We Are Echos.” The single, fresh off the“Dreaming Opaline” EP, is a beautiful blend of ethereal rhythms with equally angelic yet harmonic vocals that pierce the audience’s attention and keep them engaged. The unique quality of the band’s sound in this song feels like a unique mix of Kate Bush, Kerli, and Florence and the Machine’s funky blues meets alt rock sound, and yet encompasses their own art-house vibe that is soulful and compelling to listen to.”
Anthony Avina, authoranthonyavinablog.com
“Somehow, they manage to mix and merge the quirky and off-kilter with the infectious, slightly abrasive angularity with dreamy textures, and raw sonics with spacious atmospherics, and they do so effortlessly, so much so that you can’t see the joins.”
Dave Franklin, Dancing About Architecture
“And it really is good – the synths are big and atmospheric, the guitars are big and atmospheric, everything is big and atmospheric. It is almost transcendental and a little reminiscent of 1980s alternative rock, and there’s even some piano action to seal the deal! Frontwoman Emma Lee has a rather delightful vocal tone – it is very dreamy, just like the EP’s title, and oh, the romance! Indie music is alive and thriving, and I apologize for having ever doubted that fact.”
Silia Stamatiadis, siliamusic.com on "We are echos"
“In a musical climate often dominated by formulaic trends, Across Phoenix stand out for their fearless originality. “We Are Echos” exemplifies their ability to blend experimentation with emotional resonance, creating music that is both intellectually engaging and deeply felt. With “We Are Echos,” Across Phoenix deliver a bold, inventive, and emotionally rich composition that sets the tone for Dreaming Opaline and signals an exciting future ahead.
It’s a track that rewards attentive listening, revealing new textures and nuances with each play. Eclectic, immersive, and unapologetically unique—Across Phoenix are not just making music; they are crafting experiences. And if this single is any indication, their journey is only just beginning.”
Mary Smith, Planet Singer
“Across Phoenix opens their latest EP, “Dreaming Opaline,” with a hauntingly beautiful single that feels like walking into a dimly lit room. Hitting you with charged emotions before fully explaining itself, “We Are Echos” is compelling because it understands how to make fragility sound textural. It lives in the space between art rock and dreamier indie atmospherics, and it uses that overlap well.”
Skope Magazine
“New Orleans-based Art Rock band, Across Phoenix, has refined the idea of space groove rock with their latest musical creations. They have recently dropped ‘We Are Echos’, a fresh new track that comes with a fine blend of captivating lyricism and musical soundscape. The song represents the echoes that dwell within humans, and it is heard by all, which is often haunting and self-deprecating. However, the musical representation of those echoes is beautifully done, and the clever use of vocals makes them even more resonant. The musical arrangement offers jazzy space groove and rock vibes, which captivate all kinds of music lovers.”
Daily Music Roll Magazine
“As the track develops, a roomy guitar tone becomes more prominent, sitting against subtle electronic pulses that never overpower the core arrangement. The influence of math-rock is present in the rhythmic precision, though the structure avoids technical excess. Instead, the focus remains on atmosphere and continuity, echoing approaches found in artists such as Minus the Bear and Alt-J, while the restraint in layering brings to mind some of Radiohead’s more minimal, textural work.”
The Bandcamp Diaries
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